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The photographs in Double Dactyl (2008) are united by Waplington's multiplicity as an artist—his body of work could be described as a journey around the documentary, one that has prodded and played with notions of authenticity, authority and truth that conventionally define the genre.
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Carbon Monoxide Poisoning, 1995, Double Dactly
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The Death of Creativity, 2006, Double Dactyl
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Disparate Remedies, 2006, Double Dactyl
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Skegness #1, 2005, Double Dactyl
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The Pheasants' Revolt, 2004, Double Dactyl
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Analytic Composition With Sticks, 2006, Double Dactyl
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The Jackson 5, 2005, Double Dactyl
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Tremor of Intent, 2004, Double Dactyl
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White Sands St Davids #2, 2004, Double Dactyl
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S&M Club Ceiling, 2003, Double Dactyl
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Pudding Mill Lane, 2003, Double Dactyl
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Rock Pool #1, 2004, Double Dactyl
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Bluebell Wood (Picture For My Father), 2004/ 2007, Double Dactyl
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Socialist International, 1995, Double Dactyl
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The Alien, Thamesmead, 2003, Double Dactyl
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The Horizon Painter, 2004, Double Dactyl
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Dropping Like Flies, 2005, Double Dactyl
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Fairies, London Fields, 2006, Double Dactyl
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Two Americans, Speakers' Corner, 2004, Double Dactyl
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Red, Yellow and Green, Thamesmead, 2004, Double Dactyl
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Faustian Nightmares, 2003, Double Dactyl
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Skegness #2, 2005, Double Dactyl
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Walking Into The Sun, 2006, Double Dactyl
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Summer Hackney Wick, 2004, Double Dactyl
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Special Creation/ Intelligent Design, 2006, Double Dactyl
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Double Dactyl
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Double Dactyl
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Skegness 3, Double Dactyl
