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βIn Empty Heaven, Paul Graham employs a series of close cropped deadpan photos of objects, re-photographed images, portraits and scanned surfaces, using the polemic of cultural wrapping, to investigate the masking of history and power in contemporary Japanese society." β T.J. Proechel
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Empty Heaven (1989-95)
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Empty Heaven (1989-95)
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Empty Heaven (1989-95)
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Empty Heaven (1989-95)
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Empty Heaven (1989-95)
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Empty Heaven (1989-95)
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Empty Heaven (1989-95)
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Empty Heaven (1989-95)
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Empty Heaven (1989-95)
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Empty Heaven (1989-95)
